$8,000.00
Lake Morgan from Mt O'Shanessy, West Coast [Untitled] New Zealand
Original acrylic painting on cedar framed board
By Michelle Bellamy
900 x 500mm
In progress 2021-2022
Please contact Michelle if you are interested in purchasing.
The story behind the artwork
With the most perfect weather window approaching after what has seemed like a very changeable winter/spring a good friend Dulkara and I made up a plan for two nights in the mountains. It started with us meeting at 10:30pm in Arthurs Pass and sleeping in my truck next to a train track (two trains startled us during the night). In the morning we started with repeated river crossings up the Taramaku River, followed by a steep bush bash up an un-named ridge to our first camp, an almost dry tarn.
We woke fresh the next day with a hind and a yearling joining us for breakfast, then started the most technical part of our trip, with lots of up and down ridge-line scrambling to emerge above Lake Morgan. After re-filling and re-hydrating we meandered over to Lake Morgan Hut and read the rather entertaining hut book, from here we headed straight up to the top of Mt O’Shanessy and made camp in a tiny dry tarn hollow. This is where the painting view is from, basking in the golden West Coast rays we watched the sun fall behind the mountains.
The wind was quite strong that night and we were conserving water so woke feeling a little jaded. However we got going fairly early and toped up the water and had a cuppa at another almost dry tarn. From here is was a mellow walk down a tussock ridge to our last portion of bush bashing off point 1231 down into the Crooked River. The last bash involved almost every type of NZ fauna, with very little distance covered for the time involved forcing our way through, we emerged from the bush by the beautiful clear Crooked River covered in scratches.
I always wonder what connects a person to a place. Is it a moment, a beautiful memory, is it the shape of the land - the way the light falls? A sense of belonging or a respite from a busy life? Or is it somewhere where they shared an experience with someone else, or just somewhere they yearn to go back to...
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The story behind the artwork
I chose this view from above the Sefton Bivouac, as it shows the smallness of the bivvy in a big, expansive and exposed setting. It is amazing it has withstood the elements for so long, although along the way it has been damaged by snow and repaired.
With the remaining morning clagg rising from the blue layered mountains and the early light filtering through the valleys contrasting with the bright orange bivvy I was completely inspired to paint this view.
Sefton Bivouac is perched on a ledge, exposed to the changing elements with panoramic views of the Hooker Valley and Mount Cook Village below.
The route starts with a scenic walk up Stocking Stream and gradually gets steeper as it progresses. There are numerous cairns to guide you to the trail that accesses the spur. A steep climb up a narrow single-track takes you eventually up a rocky spur with opportunities to fall off the mountain. Twice I scrambled up here in two days, as the first day was clagged in and I could see no more than 5-10m.
Once you get to the plateau at 1650m Mt Sefton and Footstool tower behind the bright orange bivvy. Sefton Bivouac is over 100 years old and is the oldest building in the Aoraki/Mount Cook National Park with extraordinary glacier views. The most exciting feature is the speedily shrinking Te Waewae Glacier within touching distance if you walk a little further. Such a gift to be able to experience this treasure that may soon be a distant memory.
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Breaker Bay, Wellington [Untitled], New Zealand
Original artwork painted with acrylic on cedar framed board
By Michelle Bellamy
2060 x 900mm
In progress 2021-2022
SOLD
Fall's Dam with Fisherman's Hut [Untitled], Oteake Conservation Park, Central Otago, New Zealand
Original artwork painted with acrylic on cedar framed board
By Michelle Bellamy
1000 x 700mm
In progress 2021-2022