Rhythm of Blues
SOLD
Original artwork painted with acrylic on board
By Michelle Bellamy
695 x 425mm
Completed 2018
Sold by the Gallery De Novo in Dunedin
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Red Rhythms at the Boulder Bank
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Red Rhythms at the Boulder Bank, Nelson, New Zealand
Original acrylic painting on cedar framed board
By Michelle Bellamy
400 x 400mm
Completed 2022
The Boulder Bank (Te Taero a Kereopa) is a naturally formed, 13.5km spit of Boulders that extends west from the Glenduan. The boulders are smooth and round from the coastal currents, and the banks edge is filled with rock pools and reefs to the seaward side with many kingfish, snapper, blue cod and kahawai to keep the fisherman busy. Keep an eye out for the lazy bronze whalers who like to steal the caught fish.
There are now just 5 baches lined up along the spit, after one was recently destroyed in a fire in 2021. It is a barren place, exposed to the elements with no running water, no power and no shelter from the sun apart from a couple of stunted pōhutukawa trees.
Raglan Range Beyond the Tarn
SOLD
Raglan Range Beyond the Tarn, St Arnaud, Nelson Lakes, New Zealand
Original acrylic painting on cedar framed board
By Michelle Bellamy
1000 x 600mm
Completed 2021
Follow the St Arnaud ridge along until you come across a group of tarns nestled in a sheltered basin above Rough Creek. Here there are are expansive views to the east towards the Raglan Range. The Raglan Range forms a barrier of high mountains between the Branch River and the Wairau Valley.
Back of Beyond
SOLD
Back of Beyond, Paratītahi Tarns, Nelson Lakes National Park, New Zealand
Original acrylic painting on cedar framed board
By Michelle Bellamy
1000 x 1000mm
Completed 2021
Emerging over the final ridge before plunging down into the Arnst River valley you come across what seems like paradise. The Paratītahi Tarns sit together, nestled in a gentle rolling basin of tussock with a glimpse of Mt Chittenden (2205m) in the far distance.
This painting is a labour of love. Many many hours were spent shaping the golden contours, detailing the scree slopes and blending the blues to take you back towards the distant mountains. Every day working on this painting took me up into the ranges and I hope it takes you there too.
